Conservation Case Studies
Explore real conservation projects undertaken by I'Arte Rinasce, documenting the challenges, scientific analysis, treatment methodologies, and outcomes involved in preserving significant works of art.
10+
Case Studies Published
5000+
Works Treated
15+
Years of Practice
100%
Reversible Methods
Featured Projects
Paper Conservation
To remove a 12-foot paperwork adhered to the surface of another, without causing irreversible damage to either sheet.
Paintings Restoration
A heavily yellowed and oxidised varnish had shifted the tonal balance of the composition, obscuring the artist's original palette and suppressing the luminosity of the lighter passages.
Wall Paintings & Frescoes
Approximately 35% of the intonaco was detached from the arriccio, with biological growth across 20% of the surface and centuries of accumulated grime obscuring the original 16th-century pictorial programme.
The Archive
A searchable archive of conservation projects, filterable by artwork type, treatment category, and damage classification.
Showing 10 of 10 case studies
Conservation Challenge
Moisture exposure following a burst pipe had placed the work at immediate risk of mould colonisation and irreversible paint loss.
Conservation Challenge
Extensive craquelure had progressed to active paint lifting across the central third of the composition, placing the work at immediate risk of loss.
Conservation Challenge
Acidic framing materials — including a non-archival mount and a backing board — had caused foxing, tide lines and localised browning across the margins of the work.
Conservation Challenge
Decades of surface contamination — including grime, fly specks and an uneven restoration varnish applied by a previous owner — had significantly altered the appearance of the work.
Conservation Challenge
Authenticity concerns had been raised regarding a work attributed to a significant mid-century painter. The collector required a thorough technical examination to support or challenge the attribution.
Conservation Challenge
Approximately 1,500 artworks from a private collection required individual condition assessment before and after movement by a third-party logistics provider. Works were also cross-referenced for restoration requirements arising from age and previous storage conditions.
Conservation Challenge
A large-scale mixed media work had developed complex structural and surface deterioration, compounded by the use of non-archival materials by the artist at the time of creation.
Begin a Conversation
At I'Arte Rinasce, conservation is more than repair. It is the careful preservation of artistic, cultural, emotional, and financial value for future generations.