Conservation Services
Sculpture Conservation.
Three-dimensional objects present conservation challenges that are fundamentally different from those of flat works — structure, material, environment and display all interact in complex ways.
Three-Dimensional Objects
Structure, surface and material in dialogue.
Sculpture conservation requires an understanding of materials that extends well beyond the visual surface. A bronze figure is not simply a surface to be cleaned — it is a complex electrochemical system in which the patina, the alloy, the environment and the history of previous treatments all interact. A carved wooden figure is a structural object whose behaviour is determined by the grain of the timber, the moisture content of the air and the history of the wood itself.
We treat sculpture and three-dimensional objects in stone, metal, ceramic, wood and mixed media. Each treatment is preceded by a full condition assessment and, where appropriate, scientific analysis of the materials present.
Materials We Treat
Every material has its own language.
Our Process
Systematic, documented, reversible.
Every sculpture treatment follows the same rigorous sequence — from examination through analysis to treatment and documentation. No stage is skipped; no treatment begins without a written proposal agreed with the collector.
Examination & Documentation
Full photographic documentation under normal, raking and UV light. Examination of the surface, structure and any associated fittings or mounts. Identification of materials, previous restorations and areas of active deterioration.
Scientific Analysis
XRF analysis for metal and pigment identification. Cross-section microscopy for polychrome surfaces. Biological sampling where organic growth is present. Corrosion analysis for metal objects.
Structural Assessment
Evaluation of the structural integrity of the object — fractures, losses, previous repairs, the condition of armatures and internal supports, and the stability of the mount or base.
Treatment
Cleaning, consolidation, repair and protective treatment carried out in sequence, with photographic documentation at each stage. All materials are reversible and compatible with the original.
Protective Measures
Application of appropriate protective coatings — microcrystalline wax for metals, consolidants for stone, barrier coatings for ceramics — and recommendations for display, storage and handling.
Conservation Report
Full written and photographic record of the object's condition before and after treatment, all materials and methods employed, and recommendations for ongoing care.
A Note on Taonga & Cultural Objects
The conservation of culturally significant objects requires consultation with the communities from which they come.
We approach the conservation of Māori taonga, Pacific objects and other culturally significant works with particular care and humility. Treatment decisions are made in consultation with iwi, communities and cultural advisors where appropriate. We do not undertake treatment of taonga without the informed consent of the relevant community.
Begin a Consultation
Discuss your work with our conservators.